![]() Everyone’s pleased with you.” I know Frank said to his store man, the late great Peter Spencer, an old friend of mine, “How do those two boys turn out so much stuff with that much detail?” You know what you are doing, and I don’t. When working on Empire and Jedi, Frank would come into my shop for a tea and would say, “Carry on, boy. So I was very pleased when he offered me supervising propmaker on Empire. He would only accept the best and would soon let you know if it wasn't. Frank was a prop master who was very hard to work for. ![]() Only Frank knew that, but I guess after seeing my work - and I’m sure talking with Harry Lang - he made his choice. I don’t remember if they were for inserts or maybe as a test. Frank came to Shepperton Studios and had me redo some panels from the X-wing fighters and landspeeders, a lightsaber, and a C-3PO head. John “Dak” Morton: On Alien you met another Star Wars propmaster, Frank Bruton, and that’s how you made your way to Empire.īill Hargreaves: Dave introduced me to Frank Bruton, and I did some prop-making for him. ![]() He was a great inspiration and became a lifelong friend, someone I will always miss. That started me off in the film industry. And “best side to London.” Dress your best side to camera, but never forget the back - it may be seen. And that’s just what we did to make the ship look much bigger. There is an old saying: do it with smoke and mirrors. That saves time and money, always a good thing. When making the switches for the doors on Nostromo, when they were activated on set, a light lit off set to let the door operators know to open or close the doors. I soon learned to give more than is asked for. He showed me how the camera faces one way, so if you can operate behind it, so much the better. I worked closely with Dave to make the alien brain from condoms and maggots, a trick I used on Empire. I made a mental note of that and use it from time to time. His rig had large levers to move the head three feet six inches high, big leavers, more subtle movements. He introduced me to Carlo Rambaldi who designed and operated the head movements for the alien. Dave showed me how a shooting set works and how to address other departments and that the first assistant is always in charge so work with them. All my stuff made it onto the film and gave me a great insight into the workings of a film. He gave me a start on Alien as a propmaker. Dave was then working on Alien, right?īill Hargreaves: Yes. John “Dak” Morton: And then Lange introduced you to Dave Jordan, the Star Wars propmaster. He could see I was not fazed by the pressures of filming, so he thought I would be useful on other projects he had in mind. I think Harry was impressed with my attitude, particularly when I helped him with his robots, adding more detail so they looked like they were working. As I remember, he was doing an advert for a cigar company. ![]() How did you meet Lange, and what did he see in you back then?īill Hargreaves: I met Harry first when he was working in Pinewood Studios. The two caucused again after the event to swap a few insights on Bill’s extraordinary career in props. Bill and John “Dak” Morton were among over a dozen Star Wars guests at this summer’s London Film and Comic Con at London’s Olympia. ![]() With this entrée, Bill made the hyperspace jump into the film business and created some of the most memorable robots and props in the galaxy. Lange had worked on spacecraft designs for Wernher von Braun and NASA before getting into film with Stanley Kubrick and 2001: A Space Odyssey. In 1977 he met the legendary Harry Lange, who was the art director on The Empire Strikes Back. In the '70s, he was an expert in concrete fabrication with his own fencing and gardening firm. Propmeister Bill Hargreaves is an Oxford lad now based in Bracknell in Berkshire. Meet the prop master behind legendary creations that include IG-88, probe droids, mynock, and Jabba's gatekeeper! ![]()
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![]() ![]() As that level of football has slowly declined so has Purdue. Purdue would try to own home state Inidiana but it recruted heavily in the region (Hammond Gary, a football rich region) and in the Chicago Catholic and Public Leagues. Then, in one of Ara’s strangest losses, a 4-6-1 Purdue team upset the Irish in 1974 in South Bend 31-20. And Mike Phipps quarterbacked the Boilers to pretty convincing victories in ’67, 28-21, ’68, 37-22 and ’69 28-14. Its last Rose Bowl, with Griese was in ’66, when the Irish won the National Championship.īut Griese beat Ara in ’65 in West Lafayette. These quarterbacks fueled Purdue’s best run in the series, from 1950-1969, when the Boilers posted a solid 12-8 record against the Irish. With three Super Bowl Champion quarterbacks, Purdue is at the top of the list, tied with Alabama (Starr, Namath and Stabler). The list includes Len Dawson, Bob Griese, Mike Phipps (who beat Ara and the Irish in ’67, ’68 and ’69) Gary Danielson, Mark Herrmann, Jim Everett, Drew Brees, Kyle Orton.ĭawson, with Kansas City, Griese, with the Miami Dolphins, and Brees, on behalf of the Saints all quarterbacked Super Bowl Champions. Purdue became known for spawning outstanding Big Ten Quarterbacks, many of whom had a serious impact in the NFL. Leahy was mortal! THE CRADLE OF QUARTERBACKS Heads hung low, eyes held back tears, as the Irish tasted defeat for the first time since 1945. Dale Samuels, a pupil of Purdue quarterback guru Bob Demoss, in just his second game, led the Boilermakers, christened that day as the Spoilermakers, to a 28-14 upset over the Irish. Then Purdue came to South Bend on October 7, 1950. PURDUE’S FINEST HOURįrank Leahy coached Notre Dame to the greatest dynasty ever in college football, going unbeaten and winning three national championships from 1946-1949. Since 1957 the teams have played for the Shillelagh trophy, donated by Joe McLaughlin who brought it back from Ireland. There was one gap in the series from ’23 to ’32, when Fielding Yost was arm-twisting Big Ten (Western Conference) members from scheduling Notre Dame. (Does not include 1 USC win vacated due to NCAA penalty original record: 37 Trojan heads.Notre Dame first played instate rival Purdue in 1896, and played the Boilermakers annually from 1946 to the Shamrock Series game in Indianapolis in 2014. There are now 48 shamrocks, 36 Trojan heads and 5 combined medallions on the shillelaghs. It contains medallions beginning with the 1990 game. When the original shillelagh ran out of space for the Trojan heads and shamrocks after the 1989 game, it was retired and is permanently displayed at Notre Dame.Ī new shillelagh - slightly longer than the original - was commissioned by Jim Gillis, a former baseball player at both USC and Notre Dame and a one-time president of the Notre Dame Club of Los Angeles, and handcrafted in 1997 in County Leitrim, Ireland. Although the shillelagh was introduced in 1952, the medallions go back to the start of the series in 1926. It was devised by the Notre Dame Alumni Club of Los Angeles, based on a suggestion by Vern Rickard. The original shillelagh was flown from Ireland by Howard Hughes’ pilot, according to legend. ![]() Upon its initial presentation in 1952 by the Notre Dame Alumni Club of Los Angeles, it was said that “this shillelagh will serve to symbolize in part the high tradition, the keen rivalry and above all the sincere respect which these two great universities have for each other.” On the end of the club is engraved, “From the Emerald Isle.” The victor of the Trojan-Irish game gains year-long possession of the trophy. For tie games, a combined Trojan head/shamrock medallion is used. The foot-long shillelagh has ruby-adorned Trojan heads with the year and game score representing USC victories, while emerald-studded shamrocks stand for Notre Dame wins. Those are the only woods used because, it is said, they are the only ones tougher than an Irish skull. A jeweled shillelagh is passed between the annual winner of the USC-Notre Dame game, perhaps the finest intersectional rivalry in college football.Ī shillelagh (pronounced “shuh-LAY-lee”) is a Gaelic war club made of oak or blackthorn saplings from Ireland. ![]() ![]() Insert and manage SVG and three-dimensional icons.Capacity for zooming in slides in presentations.Current features and interfaces for Excel.Signatures and audio explanations of learning resources.The new features included in Microsoft’s commercial preview release include: Word: Many new features are scheduled for release. There will be no new functionality in Office 2019. What counts are some of the things Microsoft does to motivate consumers to embrace Office 365. 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